Merdeka: Singapore’s History Through Asian Accounts
As the cry 'Merdeka!' rang out, a heavy silence blankets the theatre. There's simply so much we don't know about Singapore's history.
At The Crossroads With Perspectives Film Festival 2019
“We are proud to provide a festival for independent, uncensored films that people can look forward to.”
Review of Teater Ekamatra’s A Clockwork Orange
A Clockwork Orange is a difficult production to dissect. Find out why.
Review of Pangdemonium’s Urinetown: The Musical
If you are not a fan of musicals, would Urinetown be a good watch? Read on.
Victoria Chen’s Journey from SOTA to Singapore Theatre Industry
Here's Victoria Chen, a theatre maker to look out for.
Caught in the Limbo of Fabricated Realities, Or Not
Clever and absolutely intriguing, Caught is a show you MUST catch this 2019.
Poetic Demise of the World: “a line could be crossed and you would slowly cease to be”
Poetic text at the forefront, a line could be crossed and you would slowly cease to be shows you how we are intrinsically a part of nature.
Zenda Tan: Focus on Common Experiences, Shift Away from Artificial Norms
An interview with the playwright for Eat Duck, Zenda Tan.
Singapore Writers Festival 2019 To Explore Language In A ‘Fractured’ World
Running from Nov 1 to 10, those aged 18 and below can enjoy a subsidised pass price of S$15.
Fuerza Bruta: Balance of Breathtaking and Frantic
Singapore Night Festival's Fuerza Bruta was certainly an experience. Here's why.