SRT Stages Performance Art Piece “Caught” in Miaja Gallery on Fabricated Realities
Clever and absolutely intriguing, Caught is a show you MUST catch this 2019.
K11 MUSEA: Hong Kong’s Silicon Valley of Culture
Of creativity and muses, immersive in culture at Hong Kong's K11 MUSEA.
Koh Wan Ching’s Interpretation of “a line could be crossed and you would slowly cease to be”
Poetic text at the forefront, the play shows how we are intrinsically a part of nature.
Playwright Zenda Tan’s Focus on Common Experiences, Shift Away from Artificial Norms in Eat Duck
Zenda talks about Asian values explored in Checkpoint Theatre's Eat Duck.
Singapore Writers Festival 2019 To Explore Language In A ‘Fractured’ World
The theme this year gives a nod to those of the three preceding years – Sayang, Aram and 界 (jiè).
Checkpoint Theatre’s Eat Duck: Negotiating Loss and the Meaning of Family
How do you negotiate loss of a loved one?
Suffian Hakim’s Trademark Brand of Humour in Minorities
Suffian Hakim on the importance of laughter in this gloomy world.
“Eh u an actor, u siao siao liddat pretend only right?” — ACTING MAD: A Review
A review of Acting Mad by The Necessary Stage: about mental health and performance.
Asia in Revolt: Awakenings and Our Political Past That Still Haunt Us Today
For the average Singaporean to step out of their comfort-bubbles into a world of socio-political radicalism and dissatisfaction experienced by our Asian predecessors.
Experience Meta-tea-atrical Magic with “First Fleet”
Inspired by Australia’s history of convict transportation, and most notably Thomas Keneally’s novel The Playmaker, First Fleet was born.