Lie With Me: Commentary on ‘Swipe Right’ Culture
Relationships are rapidly changing with more reliance on social media and dating apps. However, have they really changed at the core?
Heather: Can You Separate Art from The Artist?
Does the artist matter as much as the art being made? Discuss.
A Fiend’s Diary is A Paradox: Both Simple And Elaborate
A Fiend's Diary by The Finger Players depicts the absurdity of life and the futility in one’s search for its true meaning.
Review of The Wright Stuff Festival’s Permanence
Permanence questions the difficult decisions of holding on and letting go.
Review of Tanah•Air 水•土：A Play In Two Parts
Tanah•Air 水•土: A Play In Two Parts questions the idea of homeland and the cost our homes are built upon.
Merdeka: Singapore’s History Through Asian Accounts
As the cry 'Merdeka!' rang out, a heavy silence blankets the theatre. There's simply so much we don't know about Singapore's history.
Review of Teater Ekamatra’s A Clockwork Orange
A Clockwork Orange is a difficult production to dissect. Find out why.
Review of Pangdemonium’s Urinetown: The Musical
If you are not a fan of musicals, would Urinetown be a good watch? Read on.
Caught in the Limbo of Fabricated Realities, Or Not
Clever and absolutely intriguing, Caught is a show you MUST catch this 2019.
Poetic Demise of the World: “a line could be crossed and you would slowly cease to be”
Poetic text at the forefront, a line could be crossed and you would slowly cease to be shows you how we are intrinsically a part of nature.